independent artist

Elk by Karlee Rawkins - on display at the Big Rock Candy Mountain exhibition at Iain Dawson Gallery, Paddington, Sydney.

Winter Swan by Irene Grishin-Selzer from the I Threw a Kiss in the Ocean exhibition at Outré Gallery, Melbourne, July 2010. (AUD $520)

We're really excited about next Tuesday night's Asperatus exhibition. Not only is it Matt Huynh's first solo exhibition in three years - it's also being held at the Australian Museum... in the Skeleton Gallery!

"Saltwater IV" by Jade Oakley, 2010, 55 x 54 x 54cm , gouache, paper, polyurethane resin & stainless steel wire. Photograph by Anthony Pearse.

Masked Bandits by Iggy & Lou Lou (AUD $190ea)

We're excited to bring you the second instalment of our "Three of a Kind" interview series - this time with Irene Grishin-Selzer the artist & designer behind the gorgeous Iggy & Lou Lou jewellery label.

To be honest, I'm a little in awe of Irene and her Iggy & Lou Lou creations. Her style is so unique, and each time I browse through her web site (which is truly an artwork in itself), I find myself adding up what it would cost me to buy... everything! (Well, a good selection anyway!) Her latest collection, "Love Bandits" explores the concept, "Stolen time stands still, and love lasts forever...", with pieces that possess a mysterious quality whilst at the same time connecting with the viewer (or wearer) on a very personal level.

Iggy & Lou Lou was launched in 2003 and since then has released seven successful jewellery & artwork collections. Irene draws on the rich history of porcelain and each piece is lovingly hand crafted and kiln fired up to four times to attain the patina of buried treasure. Collections are rich with historical references, decorative themes and narratives, and influences - from ocean depths to forest folk, sixteenth century Memento Mori and the black and white character of Film Noir - imbue each piece with the presence of a much-loved heirloom.

'Just Like Honey' by Irene Grishin-Selzer (AUD $2600 - SOLD)

I What makes you 'three of a kind'? The motivations behind your works, your techniques & approach or the themes that run through the artworks, or a little of each?

ILL There is an element of humour, mystery and fun that runs through all of our interests, approaches and themes. I think its evident in all the different mediums we tackle.

Dinosaur with rainbow medallion by Iggy & Lou Lou (AUD $185)

I What led you down this career path?

ILL I always liked making things and selling them from when I was little. I studied up to Masters in ceramics and applied arts (with jewellery as a minor subject) I wanted to find a job that gave me a sense of creative freedom but I couldn't find anything that I liked. A business grew out the demand for the jewellery I was making and with the help of those who work with me, I'm able to devote time to making artworks as well. It doesn't really feel like a 'career' choice as it just grew out of a need to retain my creative freedom.

Horse Bandit Sculpture - Black Tear by Iggy & Lou Lou (AUD $820, jewellery and skull not included)

I What do you love most about being an artist/designer?

ILL I love being able to take ideas and feelings and make them into concrete objects... Making things by hand is really rewarding for me. Sometimes it takes longer than expected but there is a real sense of satisfaction from seeing it through from start to finish. I also enjoy the practical aspects of sending things all around the world via the website - its nice to feel a connection with people from far away places. I also love being able to travel overseas and meet and work with other artists who make beautiful things like Madeleine and Beci.

'Cant Tell The Birds From The Blossoms' by Irene Grishin-Selzer (AUD $1800)

I Does living in Melbourne influence your artwork?

ILL I'm not sure. Maybe it does unconciously... but I don't know in what particular way. I don't live in the city as I love the sea, but I always think I'd make the same kind of work whevever I lived - but who knows?

I What is the focus of your work for the Three Of A Kind exhibition?

ILL I often work in 3D but am showing some limited edition photographs and prints for the first time. I've also made some new wall sculptures which are in between 2-3D. I generally work with themes of love and mystery. I like working with dueling themes that often work out as opposites of the same coin, eg.the dualities of love/beauty vs loss. Dreams and reality often collide and an element of humour or playfulness is always there to keep things in check!

Double Bluebird Necklace by Iggy & Lou Lou (AUD $110)

I What do you love most about the work of the other two girls?

ILL I love lots of different things about both Madeleine and Beci's work. Probably mostly the playful but considered dreaminess…that gets me every time!

Thanks so much, Irene for finding time amongst the exhibition preparations to tell us about the journey and inspirations behind Iggy and Lou Lou. Wishing you all the best for the upcoming show! Do make sure to visit www.iggyandloulou.com to see many more beautiful porcelain creations from Iggy & Lou Lou's six collections.

There's not long to go until the doors at Lab X Gallery open to reveal new works by this trio of artists: Iggy & Lou Lou, Madeleine Stamer and Beci Orpin. Opening night is Friday 20th November 2009, from 6-8pm. In the meantime, you can follow the show preparations at http://threeofakind09.blogspot.com.

The exhibition continues until November 29.
Lab X
40 Pakington St, St Kilda, 3182.
ph. 03 9534 8838
Gallery hours are 8.30am to 6pm Monday to Friday.

Two exciting new shows have just opened - Catherine Campbell's solo show Tall Stories and Papercuts at Extended Play Gallery in Northcote, Melbourne, and Hip Pop, a group show presented by United Galleries at Saatchi & Saatchi in The Rocks, Sydney... Exhibiting artists at Hip Pop include David Disher, Stephen Dupont, Jane Fontane, Lee Grant, William Hold, Ben Ali Ong, Patricia Mado, Ben Rak and Kareena Zerefos.

Dressing for a Crescent Moon 4 - Print of an original ink, watercolour and collage drawing by Catherine Campbell (US $15)

For the Tall Stories and Papercuts exhibition, Catherine (whose studio is known as My Folk Lover) created a series of four long scroll type pieces based on some of her favourite female characters. She was drawn to the 'split nature' of each of these women, and found these intense opposing forces "quite inspiring for the basis of a few drawings"! The exhibition invitation (top) shows a detail of one of these works, and the entire piece is amazing! (You can see it on Catherine's Flickr site.)

These are on display, along with a selection of smaller works, at Extended Play Gallery which opened its doors in Northcote just last month. The gallery is in front of the studio space where Catherine now works alongside fellow artist Andy Lewis. If you're in Melbourne, make sure to get along! I adore Catherine's work - a mixture of delicate illustration, femininity and thoughtful, balanced composition... You can also visit her web site at www.catherinecampbell.net, follow her blog at www.myfolklover.typepad.com or shop for My Folk Lover prints at www.myfolklover.etsy.com.

Tall Stories and Papercuts
11 - 28 November 2009
Extended Play Gallery
547 High Street, Northcote, Melbourne
Gallery open: Wed - Sat, 11am - 5pm.

Fox and Feathers - original artwork by Kareena Zerefos

We have featured Kareena Zerefos' work a number of times on indie art & design (May 08, Nov 08, Nov 08 & Feb 08!), and we had to share these new works with you! They were created with pencil & oils on wood, and they're incredible.

Kareena describes this series as "exploring childhood fears of an isolated, dystopian 'Australia'. The imagery is based on my memories growing up in the rural outskirts of sydney, surrounded by bush dwelling animals... foxes that would stare hauntingly through the trees (and would get into our chicken pen), possums sometimes comforting but at other times terrifying and reptiles that creep around like alien creatures of another time."

The girl and the possum - original artwork by Kareena Zerefos

I'm looking forward to seeing these soon... There are a few more images on Kareena's blog at www.kareenazerefos.com. So beautiful!

12 - 27 November 2009
United Galleries presents Hip Pop
at Saatchi & Saatchi
70 George St, The Rocks, Sydney
Gallery open: Mon - Fri, 9am - 6pm.

Limited edition giclee print by Madeleine Stamer

Three incredibly talented Melbourne girls have joined forces to bring us the upcoming "Three of a Kind" exhibition. We are thrilled to be supporting this show, and will be bringing you artist interviews as well as pics from the opening night, which will be at
Lab X Gallery on Friday 20th November 2009, from 6-8pm.

Madeleine Stamer (of Little Circus Design), Irene Grishin-Selzer (of Iggy & Lou Lou) and Beci Orpin (of Beci Orpin & Tiny Mammoth) are the 'artists three' and they've launched a pop-up blog at http://threeofakind09.blogspot.com to cover the exhibition!

We've asked each artist a series of questions about the show, and first up is Madeleine! Her artworks are just beautiful, with fluid graphic and illustrative elements. I think people feel a strong connection to her work as it seems very personal. Each image tells a story, with inspiration drawn from the characters & creatures from her childhood, natural history, Mexicana, folk art, vintage prints & patterns.

Madeleine has taken a little time off from exhibition preparations to tell us about the show, and working with Irene & Beci...

MS I will proudly boast that I am Irene's biggest and most loyal fan and I've been smitten with Beci's work ever since I laid eyes on her iconic Sad Tooth image. As it happens, we are all quite fond of each other’s art and we have a stack in common both personally and professionally. Beci and I are both proud mothers of two children and Irene is expecting her first bubba early next year! It was only a matter of time before the three of us made contact and decided to exhibit together. Beci and I belong to the same illustration agency (The Jacky Winter Group) and Irene and I had an already established friendship. Irene and I have been pals for nearly 10 years. We met while we were both doing our Masters at Monash University. We shared an idyllic studio space with an amazing view of the city. Irene and I happily chatted away the days as we worked on our ceramics. Our friendship grew and grew and our respective partners also became buddies. Our hubbys share similar interests such as their love of old Mini cars and other boy stuff. Irene and I have been planning to exhibit together for many years. 2009 was the year to get our bums into action. We decided to invite Beci on a whim. Luckily for us she willingly accepted and the two of us became 'three of a kind' over night!

Limited edition giclee print by Madeleine Stamer

I What makes you 'three of a kind'? The motivations behind your works, your techniques & approach or the themes that run through the artworks, or a little of each?

MS Our three of a kind theme is multi-faceted. Broadly speaking it covers our fond admiration for each other's personal style and shared interests. The three of us have a similar work aesthetic and we are motivated by similar medium choices and inspiration. Our work often possesses folk traditions and like-minded ideas injected with a humorous yet dark edge. Building up to the show we have maintained tight communication with one another via email and we have been privy to digital images of each other's work that we are including in the show. Obviously we haven't seen absolutely every piece of work but we trust each other completely. I personally can't wait to see how it will all come together.

"Bird on a Cross" Limited edition giclee print by Madeleine Stamer (AU $150 A3 size or $330 56x76cm)

I What led you down this career path?

MS I chose to pursue illustration because I simply adore the drawing process. I have two small children and limited studio space plus I sold my kiln so illustrating became a very appealing career choice. I’m also a part time art teacher so luckily I have access to a kiln. I still love working with clay and I regularly get the students involved with clay-based projects.

The Blackeyed Susans "Reveal Yourself" Album cover by Madeleine Stamer

I What do you love most about being an artist/designer?

MS Luckily for me I have the regularity of a good part time teaching job but I also love the thrill of being involved in freelance opportunities and agency work. You never know what is around the corner and there are so many wonderful opportunities to become involved in. Obviously my illustration work is sporadic but somehow it all comes together. I push myself to be ultra organized and communicative otherwise opportunities fall by the wayside. I also have a very loving and supportive husband who encourages me to keep moving! When I’m not teaching and if I don’t have any deadlines I squeeze in my personal art such as the work that I have compiled specifically for the three of a kind show. Being able to combine so much of what I love makes me a happy person, but it takes hard work and determination particularly when you have kids.

Illustration by Madeleine Stamer

I Does living in Melbourne influence your artwork?

MS Unknowingly I think it has an intrinsic connection to my work. My environment and experiences influence my work a great deal. My art often references fond childhood experiences and interesting encounters. I lived near Dampier Creek in Mount Waverley. In the 70's, Mount Waverley was semi-rural! Milk was delivered by horse and cart (now I'm really showing my age!) Most geographical areas have a personality, Melbourne certainly has great characteristics and I love it very much!

I What is the focus of your work for the Three Of A Kind exhibition?

MS 2D work, large-scale giclee prints and I have designed some limited edition birdie mobiles made of laser-cut acrylic. The themes vary, but as usual most images include a bird and a little touch of Australiana.

Limited edition giclee print by Madeleine Stamer

I What do you love most about the work of the other two girls?

MS Their originality and the personality that shines through their work.

Thanks so much, Madeleine for sharing a piece of the Little Circus world with us, and best wishes to all three artists for the show! It will be a special one...

You can see more of Madeleine's work at Little Circus Design, or revisit our previous posts about her work: 20.12.2007 "feature artist: madeleine stamer" and 15.4.2007 "run away with little circus". If you're in Melbourne, make sure to visit the Three Of A Kind blog and of course, the show!

The exhibition opens at Lab X on Friday 20th November 2009, from 6-8pm, and continues until November 29.

Lab X
40 Pakington St, St Kilda, 3182.
ph. 03 9534 8838
Gallery hours are 8.30am to 6pm Monday to Friday.

Time Travellers - artwork from Poems for Piotr by Lang Leav

Devilishly talented Akina (Sydney-based artist Lang Leav) has just released an exquisite hand-crafted music picture book titled "Poems for Piotr". This is the fourth book in her series of sell out releases, and this time round, she has collaborated with music composer Cyrus Meurant. The book contains all new artwork by Lang Leav, and Cyrus Meurant's compositions feature the beautiful vocals of Angela Little (who was chosen by Baz Luhrmann to perform in "Australia"). Only 100 copies of Poems for Piotr are available, and you can order yours at www.akina.com.au (AUD $199.00 + P&H). You can also listen to music samples from the accompanying album.

The making of Poems for Piotr by Lang Leav

Drawn from her own experiences, Poems for Piotr reveals a stylistically written dialogue between two mismatched lovers – in a heartfelt exchange of poetry and prose. As the story unfolds, their disjointed conversation stretches further across a growing divide of time and distance.

Lang's stunning artworks, together with her innate ability to speak volumes in few words, evokes a quiet yearning throughout this bittersweet love story. Her characters inhabit a world of abject loneliness – one devoid of other humans, where only the company of strange creatures are kept. The atmospheric quality of Cyrus' music blends seamlessly into this desperately sad, yet beautiful world.

Bound by hand - Poems for Piotr by Lang Leav

The finishing on Poems for Piotr is incredible. So much love has been stitched into each and every volume!

Postcards Pack (AUD $20) and Pin-back Button Pack (AUD $25) from www.akina.com.au

Lang Leav is well known for her dark depictions of fairytale characters. You can find Little Miss Hood and her friends & foes among the postcards & buttons available at www.akina.com.au. These are the perfect price for a birthday or Christmas present - that's if you can part with them!

Little Miss Hood Camisole (AUD $78) from www.akina.com.au

You'll also find a range of gorgeous fashion pieces at www.akina.com.au. The unique styles of Akina's tops and dresses match the mood of the artworks, which have been incorporated in cute lace frames. Garments include the versatile Little Miss Hood (above, AUD $78) and Snow White (AUD $78) camisoles, stylish Liliput Tuxedo Top (second image below, AUD $129), sweet Pandora Blouse (AUD $98) and the stunning dark red Goose Girl Gown (below, AUD $198).

Goose Girl Gown (AUD $198) from www.akina.com.au

Liliput Tuxedo Top (AUD $129) from www.akina.com.au

"Akina is a villain with a button fetish. She attacks teddy bears to steal their button eyes!"

Lang Leav has created her own fairytale world for Akina - encompassing a wide range of projects and disciplines - fashion, art, poetry, books... Her work alternates between the whimsical and melancholy, expressing an underlying complexity beneath its child-like facade.

Limited edition pendants by Akina and Zoe Sernack

Lang has worked on projects both independently and through a number of collaborations with other artists. One previous joint project was AKINAxZM. Lang and Zoe Sernack brought their talents together to create miniature sterling silver works of art with movable heads, housed in limited edition handmade packaging, and worn close to the hearts of farytale villians far and wide.

Teddy Bears Picnic by Akina

The following images show two of Lang Leav's previous book projects, "The Teddy Bear's Picnic" and "The Little Mermaid". Limited editions of both titles have sold out, but it's wonderful to admire the imagery and detailing - and see the body of work from which Lang's latest book, Poems for Piotr, has emerged.

Teddy Bears Picnic by Akina

"The Teddy Bear's Picnic is a collection of stories with a sinister twist to your favourite fairytale characters. Within this world, Gretal discovers something more delicious than candy, Little Red Riding Hood undergoes a ghastly transformation and Repunzel uses her long, golden locks to commit atrocious acts. It is a world where button fetishes are contagious, childhood nursery rhymes are interwoven with macabre themes and happily ever after is anything but."

The Little Mermaid by Akina

The Little Mermaid features original artworks and stories by Lang Leav, based on the haunting fairytale by Hans Christian Anderson.

The sea will sing
in stormy swells,
a song forewarning,
of a love to end
tomorrow's dawning.

As the castle bells
begin their chime,
across the land
tolls mournful curse-

when his ring will find
another hand
that isn't hers.

EPILOGUE
The Little Mermaid

I really love the final two images - scenes from the making of The Little Mermaid.

The making of The Little Mermaid limited edition book by Akina

The End.

"Wind and Sea" by Nadia Turner

Earlier this year, Melbourne-based illustrator & artist Nadia Turner exhibited her work in a group show titled "Stories To Tell". Nadia's careful brushwork and detailed compositions are so beautiful, and here, she opens a window for us to peer into her illustrated world...

"Drabarni" by Nadia Turner

I 1. How did you come up with the name "Wayward Harper"? It seems like such a good fit for your illustration work.

NT It's a name I've used for email and whatnot for years and it just felt right to use it for the website. It came about because I play the Celtic harp and I guess at the time I felt rather wayward in nature :-)

"Nunuuika the Huntress" by Nadia Turner

I 2. What led you into a career in illustration?

NT I studied a diploma of illustration at NMIT in Melbourne which was a really good course for teaching the basics of illustration, before that I hadn't really realised that you could actually make a career out of illustration. After finishing the course and working for about a year in unrelated retail and hospitality jobs, I was, I admit, fired from a job and thought wow; I really don't want to go back to working for another boss, so I’ve absolutely got to make this illustration thing work! So I applied for the NEIS scheme, where they teach you the basics of starting a small business, in my case a freelance illustration business, and pretty much just after starting NEIS a publisher contacted me with some work and it all started from there.

"Large City Scape" by Nadia Turner

I 3. Where do you find your inspiration?

NT This is always a hard question, because inspiration can come from almost anywhere can't it?

But I would have to say from old myths and stories, beautiful old photographs, children's books, nature, music, and of course, other artists. But the list does go on and on.

"Beneath the Jackdaws Gate" by Nadia Turner

I 4. What does the music of the Celtic Harp its associated mythology & folklore mean to you?

NT I went through a big phase during high school where I was obsessed by all things Celtic. I started to learn the Celtic harp, and I especially loved that with the harp there is such a long history attached to it, and how, in comparison to other instruments, it's played such a large role in lots of myths and folklore. It's just such a magical sounding instrument that really fires the imagination. I was playing a lot of music back then and art and music were a bit more equal in my life and guess it really influenced the shape of things to come, so to speak, in regards to the themes that I'm now drawn towards in my painting. Art has kind of taken over my life in the past few years and I haven't really had much time to devote to music, so that's something I really need to work on and get back.

"The Jaala Girl" by Nadia Turner

I 5. How would you describe your painting style? Do you carefully plan your subject matter & composition before you begin painting?

NT Well, I work in a few different ways, depending on the project. For my illustration work, yes, everything needs to be planned out with rough sketches and then colour roughs for the client to approve, but in my own personal work I might simply just start a painting after a basic sketch and see where it goes from there.

"Wind King" by Nadia Turner

I 6. What are your favourite materials & techniques? Which of your paintings are personal favourites?

NT I tend to use mainly acrylics paints, on wood, canvas or paper. Sometimes I do some ink and watercolour pieces.

I can become pretty attached to most of my pieces. I think that's natural when you work for so long on something. But at the moment I think "The gift of time to the Red King" and "Wind King" are my favourites.

"The gift of time to the Red King" by Nadia Turner

I 7. What was the Illustration course at NMIT like? Did it just focus on various art techniques, or did it really prepare you for a career in illustration too? Did you find it a difficult industry to break into?

NT I found the course at NMIT really good, all the teachers were wonderful and really talented in their particular areas. It focused on all the different art techniques you might use in illustration (we had an amazing teacher who was brilliant in just about every medium you could think of, so I learnt a huge amount from him) as well as practicing all the various styles of illustration. My actual drawing and painting skills had improved by such a huge amount at the end of the two years and that was the most important thing for me. We learnt a lot about the industry but in truth, I felt a bit unprepared about the business side of being a freelance illustrator so I sort of fell in the deep end with that. But experience really is the greatest teacher when it comes to all of that, you've got to make those stupid mistakes in order to learn.

It can be pretty daunting when you start out when all you have is your student work and you are trying to convince clients that you really are professional! Once you've done that first job it really is so much easier to get hired, so until that happens it can be very difficult industry to break into. Australia also has such a small illustration industry especially when you compare it to America and Britain so that makes it very hard for us aussie illustrators, but hopefully one day that will change.

Little Owl Handpainted Brooch from Wayward Creations (US $40)

I 8. When did you decide to translate your art into products such as brooches & cards, and where can we purchase Wayward Harper designs?

NT I guess it's been a couple of years since I started the brooches and cards to sell at markets. They've evolved a lot since then. I haven't been selling at any markets recently but creations of mine can be bought at In.cube8r Gallery at 321 smith street, Fitzroy or at my etsy shop, which can be found through the 'shop' section of my website.

Little Fawn Handpainted Brooch from Wayward Creations (US $40)

I 9. How did the Spiderlings project come about?

NT Basically, I sent out art samples to Brolly Books and they contacted me about six months or a year later (I can't remember how long exactly) with a project in mind for me. So far I've illustrated three non-fiction children's books for them, "Spiderlings", "The great dinosaur game book", and "My dinosaur ABC".

"Spiderlings" cover art by Nadia Turner

I 10. Tell us about your experiences in illustrating a childrens book – something many of us would LOVE to do! Do you have plans for another book?

NT Hmm... well, it takes up a lot of time! Admittedly publishing isn't always as lucrative as other forms of illustration like advertising, especially when you're just starting out, but there is something very satisfying about finishing all the artwork and finally seeing the book in its finished form, there's something very addictive about that.

I'll probably be doing some more non-fiction books with Brolly Books somewhere in the near future, but of course what I would love to do is work on some books with actual stories and characters so I can really sink my teeth into them, so to speak. And of course, I would love to write and illustrate my own book; I just have to work out what it will be about and try to work out how to write it!

Stegosaurus illustration from "My dinosaur ABC" by Nadia Turner

I 11. Congratulations on your recent exhibition, "Stories To Tell". How did the group show with Alisha Ball and Rhiannon Mowat come about?

NT All very simply really. We all just decided we wanted to start working on a show together so we did! We all studied together so we have that connection and we are all drawn towards similar themes in our painting so our work usually sits together fairly well.

"Druantia and Ava" by Nadia Turner

I 12. What's next for Wayward Harper?

NT Well, hopefully lots of things. I'm trying to work on some new designs for my brooches and cards and I will hopefully have a nice new range of prints out soon. All of these will be available at In.cube8r and through my Etsy shop.

And maybe, hopefully I'll get around to writing a story or two :-)

"When Night Falls" by Nadia Turner

Thank you so much, Nadia, for this insight into your creative life!

To see more of Nadia's paintings, visit www.waywardharper.com, catch up with her blog at waywardharper.blogspot.com, or browse her Etsy store at www.waywardcreations.etsy.com.

Last week, we were invited to the studio space of Sydney artist Jade Oakley. We chatted about her work and took loads of photos as she prepared for her upcoming exhibition "Estuary" which will open on the 18th of June at Australian Galleries Glenmore Road in Paddington (Sydney).

Jade's recent work has been centred around delicately balanced mobiles. For this exhibition, she drew inspiration from estuaries. "An estuary is a special place. It is where the river breathes out into the sea. This is where life begins, muddy and mysterious. It is a place of crabs, mangroves, tides and tannins; where salt and fresh waters meet. I have used colours that speak of the murky depths of water and mud and mangrove. These mobiles have sprung from my thoughts about estuaries, of dark water filled with primeval life." Jade Oakley

The mobiles are made using materials such as fine wire and translucent papers. Jade applies gouache to the paper, creating subtle graduations of colour & tone. She plans the overall shape and colour shift of the finished mobile, then cuts the shape of each "leaf" before attaching it to a wire "stem". The leaves are gently fixed to the mobile with a (well-practised) turn of the pliers. Jade makes it look so easy! Once completed, the colour effects are stunning - a mobile may appear to have been dipped in ink, or reveal a wash of colour like brackish water over white sands...

The leaves pictured above were quietly awaiting their assembly into a large mobile Jade was creating the day of our visit. They looked amazing with the light shining through them. One by one, they disappeared from the queue and took their place in the lengthening work. Once part of the mobile, the leaves move so effortlessly - it can be mesmerising! You could never tire of a work like this as it would look different at every glance. I also took some longer exposures to try & capture the movement.

I originally know Jade from high school, and when I headed off to SCA (Sydney College of the Arts), she began her studies in fine arts at COFA (College of Fine Arts). Since graduating with Honours in Sculpture, Jade has exhibited her work both locally and internationally. Recent solo shows (both in 2007) include "Circumnavigation" at Bondi Pavilion, and "Tipping Point" at Mori Gallery (which we posted about in December 2007).

She has also completed some amazing commissioned work, been involved in many community art projects, and been Artist in Residence at Bundanon Artist's Centre, Noosa Regional Gallery, Vermont Studio Centre in Vermont, USA and Bondi Public School.

We're really looking forward to seeing more of Jade's new works in Estuary. The exhibition opens on Thursday, 18th June 2009, 6pm-9pm, and continues until Saturday 11th July at:

Australian Galleries
Glenmore Rd
24 Glenmore Rd, Paddington, NSW, 2021.
Opening Hours:
10am - 6pm Monday to Saturday
12pm - 5pm Sunday
Phone: 02 9380 8744

Jade will have many mobiles on display, and if you're in Sydney, make sure you don't miss it! As beautiful as the photos are, you really need to see her works in real life to appreciate the delicate balance & beauty as the leaves turn their circles and the whole mobile shifts shape. You can (very soon) see more of Jade's work at www.jadeoakley.com.au.