handmade

Last week, we were invited to the studio space of Sydney artist Jade Oakley. We chatted about her work and took loads of photos as she prepared for her upcoming exhibition "Estuary" which will open on the 18th of June at Australian Galleries Glenmore Road in Paddington (Sydney).

Jade's recent work has been centred around delicately balanced mobiles. For this exhibition, she drew inspiration from estuaries. "An estuary is a special place. It is where the river breathes out into the sea. This is where life begins, muddy and mysterious. It is a place of crabs, mangroves, tides and tannins; where salt and fresh waters meet. I have used colours that speak of the murky depths of water and mud and mangrove. These mobiles have sprung from my thoughts about estuaries, of dark water filled with primeval life." Jade Oakley

The mobiles are made using materials such as fine wire and translucent papers. Jade applies gouache to the paper, creating subtle graduations of colour & tone. She plans the overall shape and colour shift of the finished mobile, then cuts the shape of each "leaf" before attaching it to a wire "stem". The leaves are gently fixed to the mobile with a (well-practised) turn of the pliers. Jade makes it look so easy! Once completed, the colour effects are stunning - a mobile may appear to have been dipped in ink, or reveal a wash of colour like brackish water over white sands...

The leaves pictured above were quietly awaiting their assembly into a large mobile Jade was creating the day of our visit. They looked amazing with the light shining through them. One by one, they disappeared from the queue and took their place in the lengthening work. Once part of the mobile, the leaves move so effortlessly - it can be mesmerising! You could never tire of a work like this as it would look different at every glance. I also took some longer exposures to try & capture the movement.

I originally know Jade from high school, and when I headed off to SCA (Sydney College of the Arts), she began her studies in fine arts at COFA (College of Fine Arts). Since graduating with Honours in Sculpture, Jade has exhibited her work both locally and internationally. Recent solo shows (both in 2007) include "Circumnavigation" at Bondi Pavilion, and "Tipping Point" at Mori Gallery (which we posted about in December 2007).

She has also completed some amazing commissioned work, been involved in many community art projects, and been Artist in Residence at Bundanon Artist's Centre, Noosa Regional Gallery, Vermont Studio Centre in Vermont, USA and Bondi Public School.

We're really looking forward to seeing more of Jade's new works in Estuary. The exhibition opens on Thursday, 18th June 2009, 6pm-9pm, and continues until Saturday 11th July at:

Australian Galleries
Glenmore Rd
24 Glenmore Rd, Paddington, NSW, 2021.
Opening Hours:
10am - 6pm Monday to Saturday
12pm - 5pm Sunday
Phone: 02 9380 8744

Jade will have many mobiles on display, and if you're in Sydney, make sure you don't miss it! As beautiful as the photos are, you really need to see her works in real life to appreciate the delicate balance & beauty as the leaves turn their circles and the whole mobile shifts shape. You can (very soon) see more of Jade's work at www.jadeoakley.com.au.

ISSUE TWO of the very lovely Peppermint Magazine is out now... and it has grown! Boasting a larger format and 90 pages (100% post-consumer recycled, naturally!), the mag is bursting with the freshest green fashion on the planet. One look at the dreamy cover & you'll most likely recognise the beautiful girly-girl style of Melbourne graphic designer & illustrator Bec Winnel. (We'll also be posting a follow up artist interview with Bec very soon!)

The day I received Peppermint in the mail, I pored over it for hours on end - my favourite pages being the "Welcome Back" photo editorial. Dizzying late afternoon light, saturated colours, ...and balloons!!

Welcome Back features once-loved fabrics being given a new lease of life. Photographer Christine Day Lorico has captured the free spirit of eco-friendly fashion as Pheobe Rutaquio models unique, often one-of-a-kind garments made from reclaimed, vintage & upcycled fabrics. Pictured above are the Blue Fire Dress by Heidi & Seek (left, US $79), and the Purdy Dress by East of Grey (right, AUD $470).

Each issue, Peppermint Magazine runs an Art Eco Competition, and the theme for this issue was "what goes around comes around"... The theme can be interpreted using any creative medium - design, painting, illustration, sculpture etc. and three finalists are selected by guest judges. This issue's winner is Alyson Pearson from Byron Bay (NSW) with her illustration "Land of Letterville" (above right). On the left is a super crafty entry by Bethany Watt from Newmarket (QLD). She used freestyle pattern making (!!), single machine stitch and recycled fabrics to create her summer dress entry. She has even included Lenny Kravitz lyrics (What Goes Around) on the sash.

By the way, the theme for Issue 3 is "Water: every drop counts" so creatives can get thinking now!

Peppermint Magazine offers feature articles on avante-guarde activist and Discovery Planet Green's model correspondent Summer Rayne Oakes (pictured above), fair trade in the fashion industry, green graphic design (pictured below right), and haunting series of photos and accompanying interview with visual journalist Juriaan Booij about the sinking of Tuvalu. There's also "Breaking the Pattern" - our indie art & design interview with Umbrella Prints! Read the full interview here.

Something the crafters among us are sure to love is new Peppermint Magazine feature "little miss sew & sew". This issue will teach you to make a blouse out of an old shirt - just like the one below!

Peppermint Magazine is available for AUD $9.95 from Borders, MagNation, selected newsagents across Australia and online at Leeloo. (I spied copies in the newsagents in Newtown & Erskineville in Sydney!) If you are already a big fan of Peppermint (like me), why not subscribe now, and receive 4 issues (starting from Issue 3) delivered to your door with free postage! Subscriptions are AUD $40 for Australians, $60 for New Zealanders, and $80 for folk from the rest of the world.

We are also excited to have two copies to GIVE AWAY! To win, simply leave a comment on this post and I'll draw two winners at random on 1.5.2009. Good luck!

Flynn 2 by me! (Non-Fiction) On exhibition at Bob Boutique, Bendigo. (AUD $245)

I've been dying to share these with you! They are photos of my own artworks, currently on show as part of our Non-Fiction "Family Portrait" exhibition at Bob Boutique, Bendigo, Victoria.

Many of you probably know that Martin & I have our own design label,Non-Fiction, through which we make screen printed tees & greeting cards featuring our cute & quirky illustrations. When we met Sonia from Bob Boutique, she loved our "Family Portrait" card designs, and invited us to exhibit prints of the 12 colourful animal characters in her gallery space (adjacent to the boutique). The prints were made using archival inks and Hahnemühle's Bamboo fine art paper, then mounted onto black matt board with cute paper photo corners. Measuring 30x40cm, they fit straight into a standard sized frame.

To accompany the prints, I painted a series of 9 portraits of my little guys, and have pictured a few of them here. (Please send me an email if you'd like to see more!) The exhibition opened at Bob Boutique in February and will be finishing on Friday (10.4.2009).

Toby 2 by me! (Non-Fiction) On exhibition at Bob Boutique, Bendigo. (AUD $245)

We had the frames laser cut from aircraft ply (which has a fine grain finish & is gorgeous to paint onto), then mounted onto black perspex. Then I held my breath while I painted! There's no going back when working on a raw wooden surface... The final pieces are a mix of gouache and charcoal - I love the white highlights against the wood.

I would love to hear your comments!! Can you guess what (mixed) breeds Flynn & Toby are? Leave a comment & there will be a set of 12 Family Portrait greeting cards waiting the person whose answer is closest.

Henry the rabbit and Arthur the zebra finch archival prints by us... (Non-Fiction) On exhibition at Bob Boutique, Bendigo. (AUD $44.95 each)

Since I'm chatting about myself, I also thought I'd share a little interview I did recently for Peppermint Magazine. It appears in the BLOGROLE section on p88 of the brand new issue. (I received my copy today, so you will be hearing more about it very soon!)

Why did you decide to start your blog?
Like most of my projects, I jumped in without giving it too much thought (at the end of 2006). I had discovered so many beautiful American design blogs and I wanted to be a part of what seemed like such a vibrant community. At the time there were only a few Australian design blogs and I wanted a place to feature all the things that I loved. After indie art & design became popular, we started thinking much harder about ways in which to promote Australian labels.
What do you blog about?
Art, design & craft by independent Australian designers/labels. We place an emphasis on contemporary, quirky design, and our posts on illustration are some of the most popular.

Toby archival print by us... (Non-Fiction) On exhibition at Bob Boutique, Bendigo. (AUD $44.95)

How often do you update it?
I'd like to say 3 or 4 times a week, but at the moment it would usually be once or twice a week. I like to spend lots of time poring over a designer's work / web site / blog before writing the post and then include a range of images & details.
Do your searches or entries have criteria?
indie art & design is essentially a shopping blog - we feature art, design & craft products which are available to purchase, and we include pricing whenever possible. Everything we feature is designed by Australians. Our content also includes art exhibition launches, retailers who stock indie labels and design-related events such as trade fairs & designer markets.

Flynn 3 by me! (Non-Fiction) On exhibition at Bob Boutique, Bendigo. (AUD $245)

Have you found there is a strong blogging community?
Definitely - I've had the opportunity to meet so many talented people through indie, and it's great to meet fellow designers as you tend to have so much in common. It's nice to know lots of people are quietly following along too. (I'm pretty shy about commenting when I'm not wearing my 'indie hat'...)
Latest fave find?
I've been enjoying watching the ink & spindle story unfold (www.inkandspindle.blogspot.com). Have you seen their workspace? I'm so jealous!
What's next?
We have so many plans for new features in the works... Can't wait to see them online - soon I hope!

Forest Fungi by Shannon Garson - at the Little Uns ceramics exhibition at Pomme, Mornington, Victoria.

An exhibition of gorgeous small ceramic works will be opening tomorrow (Friday 3rd April, 2009) at Pomme on the Mornington Peninsula. Appropriately titled "Little Uns", the show will feature the work of three ceramic artists from Queensland - Shannon Garson, Mel Robson and Kenji Uranishi.

The brief for this group show was 'keep it small' and the artists were only too happy to oblige with a series of exquisite, but perfectly functional cups, jugs and vessels. (By the way, sorry for the lengthy post but it's really 4 posts in 1!)

Nests by Shannon Garson - at the Little Uns ceramics exhibition at Pomme, Mornington, Victoria.

Shannon Garson is a contemporary ceramicist who has been exhibiting her porcelain works since 1990. Her aim is to explore ceramics and life through the synthesis of surface decoration and form. By transforming everyday objects such as cups and bowls into works of art, she strives to connect the visible world, gardens and plants with the intangible and the mysterious.

Shannon was awarded a Churchill Fellowship in 2005 and spent 3 months travelling in Europe studying the art of the medieval and Renaissance periods. She has just completed a major new body of work based on the magnolia tree with the assistance of an Australia Council New Works Grant.

"Pale Yellow Magnolia" photograph by Shannon Garson

Above is one of the gorgeous reference photos taken by Shannon in the magnolia orchard. (You can view more on Shannon's Flickr page.) Unlike previous work, she describes "these flowers were not about the body at all. They are about the triumph of hope, about creativity, the resonance for me lies in the knobbly, gnarled magnolia branches putting forth fragile, fragrant blossoms, the deception of appearances. The unstoppable, reassuring rhythm of reproduction is a powerful metaphor for the well-spring of creativity. Sleep-deprived, time deprived, worn out, the driest twig still produces a blossom in Spring."

Magnolia pieces in the kiln by Shannon Garson

This is one of my favourite photos ever to appear on indie art & design! The quiet candle light gives us a glimpse through the artist's eye - a sense of anticipation, satisfaction & nervousness... that breath-catching "almost finished" feeling.

Magnolia Spring Family by Shannon Garson

Shannon Garson works from her studio in Maleny, a small rural town in the hinterland of the Sunshine Coast. Her ceramic pieces can be found online at http://shannongarson.com and also on her blog Strange Fragments. She is also part of the Umbrella Collective of 6 female artists from Queensland.

Shannon's ceramics are also stocked in the following galleries:
QLD: Cairns Regional Gallery, Manly Gallery, Marks and Gardner (Tambourine), Maleny Artworks, BrisbaneFusions Gallery (Fortitude Valley)
NSW: Planet Commonwealth (Surry Hills), Salmon Galleries (Sydney), Sturt Contemporary Craft (Mittagong)
VIC: Craft Victoria (Melbourne), Crowded House Designs (Malvern), Pomme (Mornington)
ACT: Beaver Galleries (Canberra)

AND she has her own book, "Shannon Garson Porcelain"! Available here.

Little Uns (polka dot), 2007, slipcast porcelain with inlay, 5cm x 7cm each by Mel Robson - at the Little Uns ceramics exhibition at Pomme, Mornington, Victoria.

Mel Robson's work is contemporary and diverse. I've been following her blog for a couple of years now and during this time, she has created a wide range of vessels and objects using a variety of techniques - including new processes such as waterjet cutting (as seen in Home-ing Pigeon, pictured further down this post). Her latest creations have an organic feel - using muted earth colours and soft uneven shapes.

Little Uns (polka dot & natural), 2007, slipcast porcelain with inlay, 5cm x 7cm each by Mel Robson - at the Little Uns ceramics exhibition at Pomme, Mornington, Victoria.

I love the contrast of the small polka dots pattern with the otherwise smooth matt finish. It gives the sets a sense of energy & movement.

Recipe Bowl, 2007, slipcast porcelain with decals by Mel Robson.

The Recipe Bowl (pictured above) is part of Mel's "Precious Little" collection. (Selected pieces were exhibited in the 4th World Ceramic Biennale in South Korea, 2007.) These works are feather weight, paper fine and entirely sculptural. Mel has upturned the concept of surface decoration by allowing decals applied to the interior of her vessels to show through the translucent ceramic. The effect is both stunning & engaging. After the original forms are thrown on the wheel, a plaster mould is made, from which the actual pieces are slipcast in porcelain. The pieces are fired, sanded & polished, then fired again before the imagery is applied using ceramic details and they enter the kiln for one last time. Pieces that survive this lengthy process end up quite strong!

The Absence of Objects (detail), 2006, slipcast porcelain with decals, 6cm x 14cmby Mel Robson.

I love the works pictured above, part of Mel's "Absence of Objects" collection. She describes finding inspiration in libraries' heritage collections - wearing white gloves while poring over old manuscripts and diaries and photographs and records and documents. "So often when we talk or think or make things about the past it is about remembering - what we remember, and the ways we remember. But what I find more fascinating is the forgetting, the process by which things get forgotten and how, in the absence of objects, whole lives and stories can just disappear. These collections fascinate me because they are little doorways into the past, little repositories of near-forgotten things, without which countless stories would have completely disappeared."

Home-ing Pigeon, 2008, found ceramic plates (water jet cut) 10 x 13cm by Mel Robson.

Mel Robson's Home-ing Pigeons (one pictured above) have been cut by waterjet from either side of found vintage plates & saucers. Exhibited at Redland Art Gallery as part of the "Bird Watching" group show, the pigeons symbolise a war-time transformation from apparently mundane to extraordinary. She was inspired by stories of their survival against incredible odds to deliver life-saving messages. "Robson's ceramic works take old domestic objects of that time, imbued with the traces of their day-to-day existence, and recasts them in the shapes of these birds." (Redland Art Gallery)

You can discover more of Mel Robson's work via her blog, Feffakookan.

Tiny vessels by Kenji Uranishi - at the Little Uns ceramics exhibition at Pomme, Mornington, Victoria.

Kenji Uranishi was born in Japan and studied ceramics at the Nara College of Fine Arts before moving to Brisbane in 2004. Living in Australia "provides an environment for more objective study of my own country and culture, as well as an element of freedom from historical and cultural constraints... I'm also interested in how these experiences will encourage some self-discovery and provide me with a new perspective on my relationship with Japanese culture."

Tiny vessels by Kenji Uranishi - at the Little Uns ceramics exhibition at Pomme, Mornington, Victoria.

Kenji draws inspiration from the surrounding built and social environment. He is interested in and influenced by architecture and nature, and how people interact with both. His works include installation and functional objects, and the materials he uses are embedded in the history of Japanese pottery.

Ceramic works by Kenji Uranishi made during his artist residency at ANU.

Selected new sculptural works by Kenji Uranishi will be exhibited later this year as part of the Australian Ceramics Triennale 09. "Encircle" open on 8.7.2009 at the Helen Stephens Gallery, All Hand Made in Bronte (Sydney).

Ceramic works by Kenji Uranishi made during his artist residency at ANU.

I love the delicate surface drawings on Kenji's pieces for "Little Uns", don't you? The sculptural works are something I wouldn't have expected in ceramics - beautiful & amazing. You can discover more about Kenji's work at his blog, http://kamenendo.blogspot.com

The Little People at the beach by Sandwich Mountain, a collaboration between Brisbane-based ceramicists Mel Robson and Kenji Uranishi.

Mel Robson and Kenji Uranishi have also collaborated to create Sandwich Mountain - the adventures of the Little People!

The Little People in the surf by Sandwich Mountain, a collaboration between Brisbane-based ceramicists Mel Robson and Kenji Uranishi.

Kenji loves hand building and first made the Little People to experiment with slip casting. When they emerged from the kiln, Mel was overcome by an incredible urge to "change the colour of THEIR day"... (Remember the 80s TV jingle for the honeycomb chocolate bar?!) Since then, the Little People have been on lots of adventures, as documented at http://sandwichmountain.blogspot.com. They've even been featured in a Brazilian magazine called GLOSS. The Little People have absolutely no idea what it says about them, and they're thinking they may have to travel to Brazil to find out...

The Little People go to the moon by Sandwich Mountain, a collaboration between Brisbane-based ceramicists Mel Robson and Kenji Uranishi.

Little Uns opens tomorrow, on Friday 3rd April, and continues until 24th April 2009. Pomme is located on the Mornington Peninsula at:
Rear 138 Main Street
Mornington, Victoria. 3931.
phone: 03 59 76 3000

Pomme is open Monday to Saturday but advise you to call to check opening hours, as they might be at the beach!

We're thrilled to tell you that the second issue of Peppermint Magazine is now available!! (Lots of pics coming soon...) On p82 is "breaking the pattern" - our indie art & design interview with Umbrella Prints. This design duo are from South Australia and they create vibrant hand screen printed patterns on organic fabrics. They've also collaborated with a number of other designers to produce jewellery, quilts & more... The full interview with designers Amy Prior & Carly Schwerdt is below - hope you enjoy it!

I 1. How did you find each other & then form the Umbrella Prints partnership?

UP We both have young daughters, drive old holdens, studied art and design, love colour and pattern - it was inevitable really! No seriously, we were both running businesses next door to each other and became great friends.

I 2. What are your favourite making processes or Umbrella Prints designs/products?

UP All Umbrella Prints designs come from first sketching and our love of art, we take from our own artwork and design from there. For example a beautiful garden scape by Amy will have a little flower hidden amongst the folliage and we will play with that. It is a process of discovery through our own art. We invest a lot of time into this design process, what we do is unusual and very deliberate, we concentrate on really exploring the potential within each design instead of churning out product.

I 3. Do you have individual specialities, or are you both involved in every step?

UP We appreciate each other's own individual style so much so that we don't need to box ourselves into roles. We are very lucky to work so well together, it sounds corny but we are like Ying and Yang.

I 4. How does your approach enable your label to be environmentally friendly?

UP At all levels of running Umbrella Prints we are always striving to find better ways of doing things, from the postconsumer waste paper we print our stationary on, to the durable 100% organic hemp/cotton base cloth we print on. Making a product that lasts is important and using every last scrap means less waste.

I 5. Tell us about your Tandem collaborations!

UP An umbrella is a symbol for bringing people together and we use the word 'Tandem' because it describes two entities propelling each other forward. So far we have collaborated with crafter Brooke of Boobook, quilter Jenny from Ciuccio, San Francisco & silversmith Ceeb Wassermann. We look forward to working with many other artists, designers and crafters.

I 6. You're both mums and Carly – you also run Nest Studio art classes for children. Do you find inspiration in the works created by such little hands?

UP Children are by far the most creative people. They are intuitive and they work free of judgment, something we can all only hope to achieve.

I 7. Where else do you both find inspiration?

UP Inspiration is everywhere.

I 8. You've had the opportunity to contribute to a number of craft books – have you had a great response?

UP The books, Meet Me at Mikes and Quilts Baby! which showcase our fabric by way of Carly's crafty sewing patterns, are available in March. They already look fantastic based on the covers alone so one can only imagine they will be a success.

I 9. Have you exhibited your work, either individually or as Umbrella Prints?

UP Yes, we have both exhibited as artists, Amy with her most recent show 'Papercuts'. Umbrella Prints has exhibited for 'Modern Australian Textiles' alongside Publisher Textiles, Nicola Cerini and many other Australian Designers.

I 10. You obviously enjoy working as partners. Is it difficult to keep the balance right or does everything just fall into place?

UP If we fight it's because 'my ego's bigger than yours!'

I 11. Do you keep in touch with fellow creative types via your blogs (Rain & Shine - http://umbrellabella.blogspot.com & Moopy & Me - http://www.neststudio.typepad.com)? What are some of your favourite blogland reads?

UP We have both met some amazing people via our blogs. We love so many but here is just a taste : Julie of Four Leaves, Amanda of SouleMama, Claire of Loobylu, Hillary of Weewonderfuls and Pip of Meet Me at Mikes. Check our blog rolls for more!

I 12. Where is Umbrella Prints next headed?

UP Umbrella Prints is very fluid and we like to let our insprirations lead, that being said the essence of Umbrella Prints is always about beautiful pattern. For now though, our next print run is well and truely underway, new colours, new pattern and we have also been creating many lovely wooden objects, such as wall brooches and mobiles.

Thank you so much Amy & Carly for this insight into your design practice! We'll be looking forward to seeing much more from Umbrella Prints!

You'll find Amy & Carly online at:
Umbrella Prints
Amy's blog Rain & Shine
Carly's blog Moopy & Me
Nest Studio - art classes for children
Umbrella Prints' Etsy shop
Umbrella Prints' Big Cartel shop
and their fabrics & products can be found at the following stockists:
SA: Ikeguchi Creative Life (Adelaide), Little Bird at Elliot (Port Elliot)
ONLINE: Mid Century Modern
INTERNATIONAL: Rose and Radish - San Francisco

Shinzo Necklace Felt and Leather by Mainichi (Sold)

I've admired Dearne Herrenberg's jewellery designs for a long time - she has a real flair for mixing colours & textures to create truly individual pieces. Dearne has recently launched her Etsy store at www.mainichi.etsy.com and I thought it was time to delve a little deeper...

I 1. I know you began your career as an interior designer. What initially drew you to interior design?

M Design was a means to providing me with a much needed creative outlet that would also give me a "qualification" at the end of years of study. It was just a matter of choosing what design path to take that would eventually also allow me to work for myself in a home based business.

Digit Recycled Leather Necklace by Mainichi (US $39.00)

I 2. When did you start creating your jewellery pieces? Was it a hobby for long before you launched Mainichi Design?

M I used to make jewellery as a teenager from all sorts of scraps that my Dad had lying around in his workshop – coloured electrical cable was a favourite, as well as the eighties staples like paperclips and zippers. I also used to make earrings by cutting up the plastic from Coca Cola bottles when they had the black bases! Mainichi was launched in 2004 after I purchased some interesting materials to use in my creative pursuits during a holiday in Japan.

Konomi Necklace by Mainichi (Sold)

I 3. What elements of your interior design experience to you see coming to the fore in your jewellery designs? One aspect of your work that I personally LOVE is the use of colour – I imagine you've always had a way with colour?...

M The colours used in my jewellery pieces are often inspired by my interiors work and work of other interior designers and architects. I've always been intuitive with colour and loved to play around with it in my creative work.

Mushi Brooches by Mainichi (US $24.00 each)

I 4. What are some of your inspirations?

M Architecture, Fashion, Nature, Travel, Pop Culture and life in general.

Shinzo Felt Necklace Extra Long by Mainichi (US $64.00)

I 5. What motivated you to start transforming everyday materials into wearable art?

MI was interested in exploring the idea of turning something discarded or not considered particularly "precious" into something appealing and special like a piece of jewellery to adorn the body.

Recycled Leather Earrings by Mainichi (US $18.00)

I 6. How do you find & choose your materials?

M I am always on the look out for new and interesting materials. In Brisbane I like to visit Reverse Garbage and fossick around. Op shops and markets are also a good source of materials. Or just art and craft outlets…anything that looks appealing I will grab even though I may not have an immediate use for it. and I am a hoarder.

Kawa leather and bead cluster necklace by Mainichi (US $39.00)

I 7. Your designs have such a tactile quality – how do you go about layering the different textures?

M Like the use of colour for me design is an intuitive thing and the layering is usually an organic process that begins with one idea and develops from there.

Kawa leather and bead cluster necklace by Mainichi (US $39.00)

I 8. Who do you imagine you’re designing pieces for?

M I don't have an "end user" in mind. I would like to think the kind of people who are attracted to my work are not able to be "labeled" or "categorized" into a particular type.

Mushi Leather Keyrings by Mainichi (US $7.50)

I 9. You also organise what sounds like a wonderful meeting place for like-minded women – The Creative Womens' Circle. How did this come about?

M The Creative Women's Circle has unfortunately just come to a close. It has been 4 years of gathering together like minded women involved in creative industries and small business and I think it has finally run its course. It has been a fun thing to do and it’s been great to meet lots of talented and creative women.

Shinzo Felt Necklace Small by Mainichi (US $34.00)

I 10. With a young family in tow, you must be busy. How do you manage your time & what do you have planned for the future?

M I'm not the best at time management and now I have even less of it with a toddler to take care of! I make a lot of lists and try to cross things off them!

In the near future I'm planning to focus more time on my jewellery making and building my Etsy online shop.

Further down the track I would like to spend some time exploring more sculptural pieces of jewellery and work towards an exhibition at some stage, but that will be some time away yet.

I Thanks so much, Dearne, for giving us an insight into your label & process. All the best for your fast growing Etsy store, and I'll be looking forward to seeing some of your future sculptural jewellery! More of Dearne's work can be found on her web site www.mainichidesign.com and her blog www.mainichidesign.blogspot.com.

Here are a few treats to haunt your Hallow's Eve! Above is the "Skeleton Gentleman" pendant by Northey Designs (from Moose: Art for Living, AUD $80). He cuts quite a figure! Below is "Halloween in the Hood", an original print by Katie Muth (8" x 10", US $40).

Lastly, the Kooky Spooks creation "Orpin" below might just sneak up behind you... "BOO!"

Orpin is available from Australian online store YTBA (Yet To Be Announced) for AUD $35 (+ free shipping within Australia!), or direct from Kooky Spooks. Measuring 50 x 275 x 145 mm, Orpin is one of a limited edition of 200 and comes with personalized swing tag hand numbered by the artist.

"Chivalry is far from dead, and Orpin is always well dressed for the occassion. Orpin is gentle and wise and will astound you with his in depth knowledge of the creation of inter connecting burrows and ideas for his latest vision... the above ground burrow."

HAPPY HALLOWEEN!

Set of 3 hand carved original linocut prints as 4.4" x 5.5" greeting cards (blank inside) with complementary coloured envelopes. (US $14.99 from www.katiemuth.com)

Katie Muth is a Canadian artist, illustrator & printmaker currently living in Sydney. She has a beautiful collection of hand printed linocut designs made into cards, accessories and prints, including a range inspired by the intricate wrought iron lacework on Sydney terraces (like mine!)...

Left: A repurposed can gets new life when covered with an intricate, hand carved linocut print and lined with complementary liner paper. (US $16.99)
Right: Hand printed sturdy canvas card journal cover with colored spine and elastic cord. Comes with a large (12.7cm x 20.9cm) Moleskine cahier journal. (US $29.99)

Since graduating from Ontario College of Art and Design in 2002, Katie has used a variety of printmaking techniques such as etching, screen and litho printing to produce work ranging from large hand printed kites to intricate limited edition artist books. However, she always returns to linocut relief printing as she loves the clean, binary nature of the lines (there is no grey - it's either printed or not printed), and the way the hand is slowed by the process of carving, making the images strong and deliberate.

Step 1 & 2: Carving the transferred design into the lino square, leaving the raised areas to be printed, and rolling ink onto the raised areas with a brayer.

Linocut printing is one of my favourite techniques for creating very person work. I love the process of carving out the design (despite the occasional tears and requirement for a band-aid) and the anticipation you feel as you begin peeling away the finished print. Applying even pressure with a handheld barren can be hard work though! In the images above & below, you can see the process by which Katie creates her designs.

Step 3 & 4: After careful placement of the paper onto the lino block, pressure is applied with a baren, or in this case, the back of a wooden spoon. The print is then carefully removed & placed to dry.

Also on offer are a range of detailed, 2 & 3 colour figurative prints with their own stories to tell - one of which I'm saving up for a feature post in 4 days time... The sweet birthday & thank you card designs (pictured below) would surely bring a smile to the face of any crafty friends & relatives.

8 greeting cards in turquoise envelopes in a clear plastic box (2 of each card in the picture). (On special for US $16.00)

Katie Muth Original Prints are stocked all over Canada & the US, and in Australia at:
NSW: Publisher Textiles (Leichhardt)
WA: William Topp (Perth)
ONLINE: Made It, www.katiemuth.com

The Wonderkind Bazaar took place last Wednesday, and from the numerous photos, it seems there was plenty of wonder! Here's a snapshot of the event...

Above: Weird and wonderful softies by Nikko De Jesus, who shared a stall with fellow softie-maker & indie interviewee Julia Rose Pattenden. Both are Communication Design students from Swinburne.

Above: Photographic Coasters by Reece A Duncan (who we interviewed in our previous post) and apparel by RMIT fashion design student Karn Kulla-Ark, who was selling his sample collection of jeans, shorts and tees.

Fabric bags (above) and purses (below) by Michele Taylor who buys fabric in Japan to make into her lovely creations. They are part of her label Harper & Edie. You can see her photos of Japan as well as a selection of her products on her Flickr page.

Above: Crystal Bead Dogs by Bio Tech student Jo-Ann Lai, who makes these super cute handphone/bag accessories out of crystal accessories as her hobby.

Above: Merchandise for an animated series by The Little Slobbers (Pei Jien, Sabrina Tee, Given Seranos and Jacky Yu) Visit their blog to find out more or join their Facebook group...

Above: T-Shirt design by Karn Kulla-Ark and yellow cases by Quentin Irvine. Quentin was unable to man a stall at the Wonderkind Bazaar, but his housemate (and one of the organisers of the Bazaar) Reese Geronimo took charge.

Above: The Wonderkind Bazaar team sporting their cute parachute-printed tees. Look out for Media student Simon Ramirez, Advertising student Reese Geronimo, Journalism student Andrew Chung Wei Wen, Advertising student Mia Hood and PR student Emily Lehmann. Congrats to you all!

Text Cufflinks featuring section of text taken from a page of the book Vanity Fair, US $62 from www.simonewalsh.com

Simone Walsh is not only a designer of beautiful & very personal jewellery, but she is also a highly skilled craftsperson. For over 15 years, she has been making each piece by hand using a variety of techniques including detailed sawpiercing, etching, repousse, casting and more... She applies her talents to wearable jewellery (as featured here) as well as a diverse array of exhibition pieces when she has the opportunity. This work is more conceptual in nature and has taken many intriguing forms which you can read more about at www.simonewalsh.com. (I was drawn to the series titled "the things my grandmother never told me".)

Victorian Cut Out Pendant, US $68 from www.simonewalsh.com

We first mentioned the work of Simone Walsh when we featured her handmade sterling silver loop chain with each loop carefully hammered into shape. When I heard a couple of weeks ago that she was about to release a completely new range, I couldn't wait to see the new designs...

Victorian inspired jewellery by Simone Walsh

Simone's new range has been inspired by her "fascination with Victorian-era aesthetics - the mish-mash of cultural and historical influences, a hint of modernity and a strong connection between words (or ideas) and visual design and art".

"There is also the mixture of culture with nature which seems to be so much a part of aesthetics from this period - something I also find endlessly fascinating."

Cameo Earrings, US $48 from www.simonewalsh.com

I really love the blackened background effect in the Cameo Earrings (pictured above, US $48). There are so many layers of texture among these silver jewellery pieces - the etched patterns, the combination of handcut shapes, and the varied colours all obtained from the same material. A matching Cameo Pendant is also available (US $62).

Picture Frame Pendant - Rectangle, US $72 from www.simonewalsh.com

Simone sells her jewellery through a number of sites including her own, www.simonewalsh.com and you can also find out more through her blog make me! By the way, don't you think her product photography is incredible? It's no mean feat to capture photographs that represent your products so well - especially when you have shiny, reflective surfaces to deal with! I especially love the setting and lighting for the Text Cufflinks at the top of this post!

Victorian Etched Pendant - Damask, US $68 from www.simonewalsh.com