lighting

Accessories by Two Ladies + 1 Bird, who are exhibiting at the Wonderkind Bazaar at RMIT 8.10.2008 (sponsored by indie art & design).

As the Wonderkind Bazaar is nearly upon us, we'd like to share with you some of the thoughts & motivations of three of the stallholders - Two Ladies + 1 Bird, Reece A. Duncan and Julia Pattenden. Hope you enjoy these mini-interviews & there's more to come very soon... (P.S. Isn't the X-Ray lamp brilliant?!)

Two Ladies + 1 Bird

I 1. What motivated you to take part in the Wonderkind Bazaar?

2L+1B The opportunity to share our designs with the public and our passion for radical & funky styles. Also to know that there are people who would appreciate it out there.

I 2. Describe your process & products for us!

2L+1B We use plastic beads and heat them to make accessories. We mainly do necklaces and pins/brooches. Custom-made designs are also available to order.
P/S: Products are made with love!

I 3. What are you most looking forward to at the Bazaar?

2L+1B SALES!
(But also to help make the Wonderkind Bazaar a success!)

I Also make sure to check out the Two Ladies + 1 Bird Blog for heaps more fantastic plastic designs!

Lamp by Reece A. Duncan, who is exhibiting at the Wonderkind Bazaar at RMIT 8.10.2008 (sponsored by indie art & design).

Reece A. Duncan

I 1. What motivated you to take part in the Wonderkind Bazaar?

RAD The Wonderkind Bazaar is exactly the kind of DIYFS (Do it your fucking self) industriousness that everyone needs to get behind. These days trends are so homogenized. Wonderkind is a cure for unimaginative purchasing. Wonderkind could be huge if RMIT and the wider community of Melbourne take it into their hearts. And well they should. Even traditional places like the Vic Market started as a few farmers with stalls. I love Melbourne and our street culture so much that this was too good not to get behind.

I 2. Describe your process & products for us!

RAD I like products with something to say. Not always good things, but something at least. Most of my products come with stories. The "Corporate Punishment" shirts clearly tell a story. The X-Ray lamps come with a story too. Same goes for the randmfoto coasters and a lot of the other stuff that I'll have for people to peruse and purchase.

I 3. What are you most looking forward to at the Bazaar?

RAD I'm looking forward to the communal spirit, really. People admiring and checking out each others' handy works. Buying things that speak to them, laughing at things that tickle their humour. Enjoying the experience. I know everyone will want to see what the stallholders will be bringing to the table for themselves.

Handmade softie by Julia Pattenden, who is exhibiting at the Wonderkind Bazaar at RMIT 8.10.2008 (sponsored by indie art & design).

Julia Pattenden

I 1. What motivated you to take part in the Wonderkind Bazaar?

JP My bestest friend sent me a cheeky email on the day that the Wonderkind Bazaar form was due in. With it she had attached the form and the guideline and requirements. The email read:

"Hey Jules,
Thought you may be interested in setting up a stall with your badges and cutie stuff?
Charlotte xx"

Intrigued, I had a look at the 'guidelines and requirements' document and read about the Wonderkind Bazaar. I love markets, I love people and I love arts and crafts. This all seemed too fun to miss!

I 2. Describe your process & products for us!

JP I love little creatures. This led me to drawing them and stylizing them. I also have a habit of buying pretty floral fabrics and colorful buttons. Put these things together and you've got yourself a little soft toy badge, or as I like to call them, 'Your New Friend'.

I 3. What are you most looking forward to at the Bazaar?

JP Seeing other people’s beautiful creations and chatting with lovely people. It is also a great opportunity to showcase my work and get some feedback on it and possibly suggestions for future pieces.

Bridget Bodenham, Crackers, 2008, unglazed, sculpted, cut and pierced high fired stoneware clay.

The Bombay Sapphire Design Discovery Award Exhibition 2008 showcases some of Australia's most exciting, outward-looking and globally focussed
design. Recognised as the most prestigious award in Australian design, the show opens tomorrow at Object Gallery in Surry Hills (Sydney) and continues until 2.11.2008. There are 10 finalists, and we're giving you a sneak peak of just four of the works here - I don't want to spoil the surprise for those of you who can make it in person! (Each designer is represented by their Award entry as well as other designs from their broader body of work.)

Pictured above is "Nutcrackers" by Bridget Bodenham. These forms are directly influenced by the movement of grinding, cracking and crushing. They refer to the prehistoric or early food gathering cultures where food preparation was a physical act deeply connected to the environment and fundamental to the wellbeing of society. Bridget developed the forms through an intuitive play approach to weight, shape & surface texture. I particularly love the warm, muted earth colours and surface design!

John Hoogendoorn, Aurora Lamp, 2008, opal acrylic.

John Hoogendoorn's "Aurora Lamp" (pictured above) explores ideas in strengthening the emotional bond between objects and the user. It is made from acrylic layers representing the letter 'J'. Each part is twisted in relation to its neighbour to allow a complex 3D form to materialize from simple two dimensional components.

Trent Jansen, Kissing Pendants, 2008, pressed aluminium, CAD drawing.

The design of Trent Jansen's "Kissing Pendants" (above) is so simple - and brilliant! I would love to have these guys illuminating my personal space. The Kissing Pendants were designed as a sustainable piece of lighting, aiming to be involved in a lasting personal relationship with their owner, fostered by the human characteristics that this piece possesses. The pendants are an expression of the intimacy that exists between two people when they kiss. When the lights are off, the two shades hand separately, side by side, but when pushed together are held by a magnetic attraction. A magnetic reed switch then turns the lights on simultaneously.

Christina Waterson, Plexa Module, 2007, stainless steel.

"Plexa#1" (above) is Christina Waterson's series of interlocking modules that allow the individual to experiment, reinvent and personalise their surroundings. As modules are interlocked, the natural geometries that stem from material properties create elusive forms and surfaces. Plexa#1 is designed to use the otherwise useless strips leftover from industrial sheet processes and cutting.

If you live in Sydney, do get along - admission & inspiration are free! The Bombay Sapphire Design Discovery Award Exhibition 2008 is on at Object Gallery from 6.9.2008 to 2.11.2008. (St Margarets 417 Bourke Street, Surry Hills NSW 2010. T. 02 9361 4511)

We had a wonderful time in Melbourne, and somewhere between hijinks with Fritz Herbert the daschund puppy and $4 pizzas at Bimbo Deluxe, we found time for some shopping! Among my favourite finds were these impressive lightshades by designer Alex Earl. Both the "Lionfish Lightshade" (pictured above) and the "Butterfly Lightshade" (pictured below) are currently in the window of Wilkins & Kent, 230 Brunswick St, Fitzroy. The Butterfly Lightshade retails for AUD $275, while the Lionfish Lightshade is available in two sizes - small for AUD $185, large for AUD $285. To view more of Alex's work, visit his web site at www.alexearl.com.au.